Wednesday, November 12, 2008

JUMOKE VERISSIMO: Her sweet fart at Lagos Book Festival


. Jumoke performing Ajani at the festival


. Jumoke with guests (Her Mum, Sister, and another poet, Ambassador) at the LABAF presentation

By Akeem Lasisi


Each time some of her friends want to make a mischievous poem of her surname, Verismo, they pronounce it as ‘very-small‘. Actor and culture activist, Ropo Ewenla, is particularly guilty of this. What they play upon whenever they pronounce the name so is the modest frame of the Lagos-based writer, Jumoke Verisimo, who is also a copywriter with a Lagos-based advertising agency.

Despite such a joke, however, many people know that in her is the promise of a good poet, one of those who should shape the future of literature in Nigeria.

After about 10 years of active poetry writing and performance, Verisimo had a great day in Lagos on Saturday, when the just-concluded Lagos Book and Art Festival featured her as reading poet of the moment. The fact is that apart from providing an avenue to celebrate books, LABAF, organised by the Committee for Relevant Arts, promotes virtually all areas of the arts. This is one of the factors that differentiate it from other book fairs. Amidst inspiring talks on the art and science of Lagos – where popular writer and activist, Odia Ofeimun, participated and Crown Troupe of Africa performed – LABAF had mounted the stage to announce to the world the arrival of her first collection of poem, I am Memory, from where she read a couple of poems.

Among such was Ajani, the only love poem in the collection. Verisimo confesses that the man she addresses in the poem had, truly been a lover of hers. Yet, she will not want the reader to be carried away in terms of how close poetry is with love.

”My position on what poetry is and what it is not, is primarily subject to emotional interpretation. Poetry could as well be the food of hate, emotion, whatever it is prompts the reader to dig deeper than he‘d normally do on an average, unfeeling day. The passion which could generate a poem on love could also bring one on hate,” she says.



.Jumoke's mum at the LABAF presentation.. Joy of a Mother

Verisimo got into poetry through a little unusual way. According to her, she did not start out to write poetry in the beginning. She just wanted to spill out things she felt inside her. She says, ”I developed this flair for writing from reading, parents, school, teachers, environment, and I just began to write. I just started to write something and at the time, I couldn‘t have called it poetry per se. But now, I‘ll say poetry for me is not simply about lines in metrical forms, it is about a sigh. It is dramatic, and living. You know the way we‘ll say that there‘s poetry on the streets, I‘ll say, writing something that evokes genuine feeling that someone else can feel is poetry for me. At the moment, I am working on a novel.”

On what her focus is as a poet, she notes that she writes about whatever things that get close to her nerves. ”I am emotive,” she says, ”so, my writing is usually about things I feel strongly about, and many times these things are what the average mind would say is inexplicable. To me, it starts out as beyond me, but I question and question it. For me, poetry is a living thing. It is all around me, and it is always new to me.”

At the LABAF show, where her mother was present to celebrate with her, the lady who read English at Lagos State University also rendered a poem for which she is mostly known, “Mo fe so – a Yoruba statement that translates as I want to fart.” It is a poem that has beaten the audience for years.


.Jumoke performing from I'Memory

She says, “Mo fe so questions my plight as a Nigerian youth. It confronts my insecurity and frustration, and my desire to show my contempt for the problems faced. I didn‘t set out that Mo fe so, should be a poem, and I still won‘t call it a poem. “I‘ll say it is a performance of frustration. I‘m still pissed at certain quarters, but like many youths, I have learnt that our society teaches independence, and how you achieve that independence is not subject to questions. I am a very angry young woman, because I have seen a lot of fantastic minds depraved of opportunities, and others are snuffed so their chances of survival takes them from who they set out to be. I still want to fart, into the faces of those in high places. I‘ll like to fart and ease my pain.”

Published by Designs, Agency and Dreams, I am Memory started out as a poem on reparation. But, according to Verisimo, ‘maturity‘ and reading made her to understand that reparation is not all about slavery and the likes.



EniOlorutidakosefarawekosefenutembelekosebinukosena'kaiwosisiwiwolaawo

JOIN THE FEAST:

11TH LAGOS BOOK & ART FESTIVAL, LABAF09, Nov. 6-8, 2009

ADDRESS: CORA HOUSE Plot 95, Bode Thomas Street, Surulere, Lagos. Nigeria. Tel: 00234 (1) 6653587. labaf08@gmail.com, stampedecora@gmail.com, cora2stamp@yahoo.co.uk

Images from the Lagos Book and Art Festival, Nov 7-9, 2008 at the national Theatre, Lagos (1)


















JOIN THE FEAST:

11TH LAGOS BOOK & ART FESTIVAL, LABAF09, Nov. 6-8, 2009

ADDRESS: CORA HOUSE Plot 95, Bode Thomas Street, Surulere, Lagos. Nigeria. Tel: 00234 (1) 6653587. labaf08@gmail.com, stampedecora@gmail.com, cora2stamp@yahoo.co.uk

Monday, November 10, 2008

CORA INAUGURATION AND LABAF 08


The CORA`new identity unveiled at the formal inauguration of the organisation on Wednesday november 5, 2008 at 10A Ikoya Avenue, off Macpherson Ikoyi before a distinguished audience that included the renowned physician and founder of the Sickle Cell Foundation, Prof and Mrs Akinyanju, former minister of National Planning, Dr Rasheed Gbadamosi, the renowned public intellectual and former Presidential candidate of the Peoples Progressive Aliance, Prof Pat Utomi, Iya Adinni of Central Mosque, Surulere, Hajia Zainab Abbah Folawiyo, the MD of Integrated Macrofinance Bank Ltd, Dr Doyin Abiola,former Deputy Editor of The Guardian, Ben Tomoloju, the famous Designer, Theo Lawson, the General manager of Bang & Olufsen, Chinwe Uwatse and a host of other distinguished Nigerians.



SCENES FROM THE 10th LAGOSS BOOK & ART FESTIVAL WHICH HELD NOVEMBER 7-9 IN THE EXHIBITION HALL OF THE NATIONAL THEATRE, LAGOS.



Tuesday, November 04, 2008

The Feast of Book & Art Begins In Lagos



DAY 1

FRIDAY, NOVEMBER 7, 2008

7am: Exhibition already set up

9am : Formal Opening of CHILDREN FESTIVAL
VISUAL REPRESENTATION FROM ‘THINGS FALL APART’
:Exhibition and comic Workshop.

10am : “My Encounter with the Book” by Funmi Iyanda

11am: “Green Graffiti” Workshop – Karo Akpokiere & Chukwuma Ngene
“Green Tales” Workshop – Obari Gomba & Adeleke Adeyemi
Theme: “Lagos on My Mind”- [Organized by LC3 in collaboration with CATE/CORA].

11.30am: The Festival Tour (where kids and their teachers are taken round the grounds of the Fair).



Children on duty at the festival last year

12 noon: YOUTH ON LITERACY

Theme: WHAT DO THE YOUTH DESIRE TO READ

(Panel Discussion on “Youth, Creativity and Development”) with established artists and active young people such as:
•Mrs Nike Davies-Okundaye: (Director, Nike Centre for Arts and Culture)
•Dr. Hope Eghagha: (Lecturer, Dept. of English, Unilag)
•Odion Ogogo: (Director, Heritage Ceramics)
•Tunde Aboderin: (Director, Mobile Cinema Crew)
•Denrele Edun: (presenter, Sound City)
•Segun Adefila: (director, Crown Troupe)
•Oyiza Adaba (Director, Africa Related)
•Kaffy Shafau: (Dance Director)
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2pm: COLLOQUIUM • Theme: WARS WITHOUT END: THE CHILD SOLDIER AS THE NEW HERO IN THE EMERGING AFRICAN NOVEL
Reviews, readings and discussions of Novels, and Non Fiction Works including
i. Ahmadu Koroma's ALLAH IS NOT OBLIGED ,
ii. Uzodima Iweala's BEASTS OF NO NATION;
iii. Helon Habila's MEASURING TIME,
iv. Biyi Bandele's BURMA BOY




3.pm: VISUAL ARTS SYMPOSIUM
• Theme: The visibility of Photography in the Nigerian Art Gallery Space
Keynote: TAM FIOFORI, veteran photographer,
Panel:
1. DON BARBER (rep PAN)
2. Rep, DEPTH OF FIELDS (James Uche-Iroha)
3. Rep: BLACK BOX (By Uche Okpa-Iroha)
4. Rep: ASSOCIATION OF GALLERIES OF NIGERIA
5. CHUKA NNABUIFE — Art writer
6. Victor Politis – Photography Enthusiast
7. Rep, Society of Nigerian Artists, SNA
8. Rep, Guild of Visual Artists

Moderator: Molara Wood, Writer, Journalist
Chairman: Kunle Filani
Special Guest: Chief Joe Musa, Director General, NGA
• Accompanying EXHIBITION on the theme: ‘The Energy of the City’
Featuring works by:
I. Members of PAN including Don Barber; Richard Enesi; Tam Fiofori; Okhai Ojeikere; and Adolphus Okpara
II. Members of DOF,
III. Members of Black Box and
IV. other photographers




DAY 2

SATURDAY, NOVEMBER 8, 2008
7am: Exhibition already set up

10am: Talking Books with Aunty Sola & Friends: A roundtable discussion on ‘Banana Leaves’ – a sequel to ‘Without A Silver Spoon’ by Eddie Iroh.

11am: Panel Discussion and Interactive Session on ‘Sanitation and Climate Change’ the theme of ‘The Green Book’, an anthology of environmental poems, prose and plays by children and young people of ages 7-16.



1pm: “Green Creative Art Workshops”
with Rosalie Modder; Uche James Iroha/Akin Oniti; Wale Asobiojo; Tina Mba; Sheriff Ojetunde/Nike Fagade; Nkechi Osili

11. 30am: OPENING RECEPTION: Dance, Music, Readings etc

1pm: Presentation of THE WEAVER'S COLLECTION

1.30pm: PANEL DISCUSSION

• Theme: AFRICA IN THE EYES OF THE OTHER
Readings and discussions of Novels, and Non-Fiction Works including

(i) Paul Theroux’s DARK STAR SAFARI,
(ii) V.S Naipul's HALF A LIFE,
(iii) Shiva Naipul's NORTH OF SOUTH,
(iv) Gil Courtemanche's A SATURDAY AT THE POOL IN KIGALI,
(v) Karl Maier's THIS HOUSE HAS FALLEN.

Moderator: UCHE NWORAH
(Author, The Bloody Machete; The Long Harmattan Season; Chasing The Shadow)

3pm: ARTHOUSE PARTIES
Music, Wine and Dance Party For:

* Filmmaker TUNDE KELANI at 60,
* Painter KOLADE OSHINOWO at 60
Actor * Zack Orji at 50.
* Writer KUNLE AJIBADE @ 50
* Dancer ARNOLD UDOKA @ 50
* Designer HORGAN EKONG @ 50
(More names of “birthday people”, who have made significant contribution to the growth of culture production in the country, will be added)

4pm: SYMPOSIUM

• Theme: Dijns, Ghosts, Ghomids and Magical Spells: The reappearance of the Moonlight Tale in the New African Novel

* Zakes Mda's HEART OF REDNESS ,
*Andre Brink's IMAGININGS OF SAND,
*Ahmadou Koroma's ALLAH IS NOT OBLIGED


Day 3

10- 2pm: Fashion Show
(Between Kowry Kreations and LCC)

3pm: ART STAMPEDE

Theme: When Is The Profitable Reading Market?

Panelists:
Toyin Tejuosho,
Otunba Lawal Solarin,
Muhtar Bakare,
Bibi Bakare Yusuf

Moderator: TONI KAN
(Author, A Ballad of Rage; When A Dream Lingers Too Long; A Night Of The Creaking Bed)

5pm : Presentation of Awards for participation

* This will be the result of the Green Book Contest published to mark National Creativity Day. It will be a contest whereby notable environmental authors will participate by 'writing' the 'first paragraph' of a poem, story or play to be completed by school kids. 21 winners of the contest will have their works published and launched during LABAF 2008.

Partners:
CATE. LCC. ART ZERO. CHILD CARE NETWORK. KOWRY KREATIONS
GIVE NETWORK

Supporters:
. National Gallery of Art
. National Theatre of Nigeria


AN EXPLOSION OF COMICS AND CARTOONS AT LABAF




The 4th Lagos Comics & Cartoons Carnival

The Lagos Comics & Cartoons Carnival is a self styled ultimate gathering of admirers, lovers and downright fanatics of comics, cartoons and animation. The 4th edition of the Lagos Comics & Cartoons Carnival holding at the National Theatre, Iganmu Lagos from the 7th – 9th of November, 2008 as a part of the 10th Lagos Book & Art Festival organised by the Committee for Relevant Art (CORA) and is themed: Youth and the Creative Revolution.

Youth and the Creative Revolution
This year's theme captures effectively the mandate assumed by LC3's organizers to harness the creative energies of young people towards positive development particularly through socio-cultural and economic empowerment. In that regard, this year, we have tagged on to the ever vibrant, ever youthful and ever revolutionary hip-hop movement in our programme for the LC3 through our different collaborative activities which we have lined up with our partners for the three days.

PROGRAMME

DAY ONE (FRIDAY 7TH NOVEMBER 2008)

8:00 am – 9.00am: Participating exhibitors / collaborators set up their stands.

10:00 am – 10.30am: Official opening of the 4th Lagos Comics & Cartoons Carnival.

10.30 am - 3.00pm: Graffiti workshop and talks on creativity and the environment. Organized in collaboration with The British Council Lagos, Children And The Environment (CATE), Dream Arts & Design Agency and the African Artists’ Foundation. School children will get to practice their hands at graffiti under the guidance of visiting international graffiti artists and their home based peers.



3.00pm – 6.00pm: Interactive sessions / exchange for young artists with International Comic Book Artists from across Africa facilitated by the Center for Contemporary Art, Lagos CCA.

11.00 am – 6.00 pm: Screening of animated short flicks will hold for older folks who are not engaged with the children. Participants will talk shop on the screened flicks and the talks will be moderated by leading lights in the industry.

DAY TWO (SATURDAY 8TH NOVEMBER 2008)

8:00 am – 9.00am: Participating exhibitors/collaborators set up their stands.

10:00 am – 4.00pm: Words and Pictures (WAPI): The free expression event organized by the British Council Lagos will berth at LC3 with a major focus on hip-hop and its influence on comics, cartoons and animation.

DAY THREE (SUNDAY 9TH NOVEMBER 2008)

8:00 am – 9.00am: Participating exhibitors / collaborators set up their stands.

10:00 am – 2.00 pm: Fashion show in collaboration with Kowrie Kreations Media featuring the works of young Nigerian designers and of course, costumes inspired by comics straight out of Nigeria. All attendees are encouraged to wear the costumes of their favourite local / international super-heroes.

2pm – 4pm: Music, dance, networking till close.


What interested participants should do:

Comic / cartoons publishers and artists are encouraged to book stands to exhibit their comic books, cartoon collections or portfolios by contacting us through the email addresses / phone numbers below. Networking is key to LC3.
Artists who are already involved / who have interests in comics and cartoons are invited to bring their portfolios on Saturday the 8th of November for the Interactive sessions / exchange for young artists with International Comic Book Artists from France and across Africa facilitated by the Center for Contemporary Art where they will have one-on-one interaction with these facilitators.
All lovers of comics, cartoons and animation – children and adults alike- are encouraged to wear their favourite super-heroes' costumes on Sunday the 9th of November for the fashion show. Home made costumes are also most welcome and the most ingeniously dressed attendees will get to strut their stuff down the catwalk, right on television!
Spread the word.
Collaborators:
• COMMITTEE FOR RELEVANT ART, CORA,
• THE BRITISH COUNCIL,
• CHILDREN CARE FOR THE ENVIRONMENT (CATE),
• CENTRE FOR CONTEMPORARY ARTS, LAGOS, CCA
• DREAM ARTS & DESIGN AGENCY
• AFRICAN ARTISTS' FOUNDATION
• KOWRIE KREATIONS MEDIA

CONTACT US
For further information, please contact us though the following means:
Phone: 234-803-3000-499, 234-806-7421-215
Email: revolutionmedia@yahoo.com,lc3_05@yahoo.co.uk
url: http://www.naijacomics.blogspot.com/
Secretariat: CORA House, 1st Floor, 95 Bode Thomas Street, Surulere, Lagos.


AN EXTRA BOUNCE TO LAGOS COMICS SHOW

Professional Portfolio Review for Young Comic Artists at the 4th Lagos Comics & Cartoons Carnival

The Centre For Contemporary Art, Lagos (CCA Lagos) will be facilitating during the 10th Lagos Book and Art Festival an interactive session and creative exchange for young cartoonists and comic artists with visiting comic professionals from Africa and Europe at the 4th Lagos Comics & Cartoons Carnival. This programme is part of the educational component for the Picha. African Comics, an international touring exhibition featuring 19 comic artists from all over Africa opening at CCA,Lagos on the 8th of November and continues to 20th December 2008.
- Hide quoted text -
Young cartoonists and comic artists are invited to come with their portfolios to the main exhibition hall, by Entrance 'C' of the National Theatre Iganmu, Lagos, venue of the 4th Lagos Comics & Cartoons Carnival (which holds from the 7th till the 9th of November 2008) on Friday 7th November 2008 from 3pm till 6pm.
Two of the artists Kola Fayemi (Nigeria) and TT.Fons (Senegal) with curator of Picha Joost Pollman (Holland) and Caroline Vedhuizen (Holland) will take turns reviewing and discussing individually the works of the young cartoonists and comic artists in attendance after which will be held an interactive session with the general audience. This is a capacity building / cultural exchange initiative from the CCA in collaboration with the Lagos Comics & Cartoons Carnival and the Committee for Relevant Art.

Tuesday, August 19, 2008

10th Lagos Book and Art Festival, Nov 7-9, 2008

Theme: Literacy and the Global Knowledge Society

DATE: NOVEMBER 7-9, 2008

Key Literary Events:
Panel Discussions . Dialogues . Conversations . Arthouse Parties

Details on www.lagosbookartfestival.com

Physical; CORASECRETARIAT,
95 Bode Thomas Street, Suruletre, Lagos
Contact; Toyin 08057622415; Jummai: 08023683651


Marketing Consultant:
INSPIRO PRODUCTIONS
c/o AYOOLA SADARE 08023044806; inspiro77@yahoo.co.uk







Building Knowledge capacity of the people of Africa

Preparations for the 10 th Lagos Book & Art Festival, scheduled for November 7 – 9, 2008 , began on the last day of the 9 th outing. The key goal of this edition, which is slated to hold in the spacious Exhibition Hall of Nigeria's National Theatre, right in the heart of the city, remains two fold: (1) To help improve the African human capacity through encounters with The Book and (2) to provide a site for the most informed, robust debates on the literature of the continent.

In pursuit of the second objective for this edition we have detailed the programme content for the three days in this brochure. Conversation will focus on Africa in the Eyes of the Other; The Moonlight Tale in Emerging African Fiction ; The Growing Popularity of the Child Hero in the New African Novel and The Search For A Reading Market.

The first objective – to help improve the intellectual capacity of the people of our continent, -- is a work in progress. We continue to work with libraries, educationists, governments, private sector, brand specialists, communication solution experts, to find the formula to build the knowledge capacity of the African people. We are getting there: Last year we had, 1,600 children attending reading workshops, book debates, drawing experiments, craft practice. LABAF is not a Book Fair, it's a culture carnival with a high book content.

This booklet is a first call for participation: For registration as a trade visitor, to the festival, or as an exhibitor, please fill the form on this brochure and mail to our address, visit our website, or call 234 -8022016495. Thank you.

TOYIN AKINOSHO

Secretary General.


Join us at the Feast

The Committee for Relevant Art invites the public within and outside Nigeria, to the Tenth annual feast of the written word. For exhibitors from anywhere, this is a huge market. A hundred and forty million Africans inhabit some 960,000 sq km of space in Africa 's most populous country.

Over 60% of this population are young people between the ages of 18 and 25. Lagos, where the event is holding, is home to 10 million souls.

Every year the Lagos Book and Art Festival plays host to a stream of visiting writers coming to take part in some of the most insightful conversation on literature, literacy and the book market in Africa.

This year won't be different and if you are a writer, an intellectual, a student, a book enthusiast, and you want to participate in any of our programmes, please simply go o the registration page, do the needful and fax to us. We are as keen to have this party filled with Kenyans, Ivorian, Algerians and Mauritanians as we are interested in welcoming Sudanese, Egyptians, Zambians, Angolans and South Africans.

If you have a proposal to do anything that's outside the template that we've put on the programme page of this brochure, please send it to me at jahblak@yahoo.com, or call me on 234-8022016495.

Lagos is an exciting place to be. You're welcome to share the human energy that animates this city on the edge of the southern Atlantic .




(0)ARTHOUSE PARTIES

9am ON FRIDAY, NOVEMBER 7, 2008
(a.) Opening Reception- The Book In My Life- Funmi Iyanda
(b.)Presentation To Winners of The The Green Story Writing & Telling Contest
(c.) Presentation To Winners of The The Green Comic & Cartoon Contest
(d.) The Festival Tour (where kids and their teachers are taken round the grounds of the Fair).
(1)COLLOQIUM

12NOON ON FRIDAY, NOVEMBER 7, 2008
• Theme: Wars Without End: The Child Soldier As The New Hero in The Emerging African Novel
Reviews, readings and discussions of Novels, and Non Fiction Works including Ahmadu Koroma's Allah Is Not Obliged , Uzodima Iweala's Beasts Of No Nation; Helon Habila's Measuring Time, Biyi Bandele's Burma Boy

(2) INTERNATIONAL DIALOGUE

2.30PM ON FRIDAY, NOVEMBER 7, 2008
• Theme: Challenges of Liberal Democracy In Africa
William Mervin Gumede, author of Thabo Mbeki and The Battle For The Soul of the ANC spars with Dare Babarinsa, author of House Of War
(3)YOUTH ON LITERACY

9AM ON FRIDAY, NOVEMBER 7, 2008

9AM ON SATURDAY, NOVEMBER 8, 2008

Talking Books with Aunty Sola & Friends" : A roundtable discussion on Eddie Iroh's 'Banana Leaves', by upper primary and lower secondary school kids.

10AM ON SATURDAY, NOVEMBER 8, 2008
*Presentation of "The Green Book ", an anthology of environmental poems, prose, plays and paintings by children and young people of ages 7-15.

(4.) PANEL DISCUSSION

12NOON ON SATURDAY, NOVEMBER 8, 2008

• Theme: Africa In The Eyes Of The Other .

Reviews, readings and discussions of Novels, and Non Fiction Works including Paul Theroux Dark Star Safari , V.S Naipul's Half A Life , Shiva Naipul's North Of South, Gil Courtemanche's A Saturday At the Pool In Kigali, Karl Maier's This House Has Fallen.

ARTHOUSE PARTIES-Part 2
2-3PM Saturday, November 8,2008 .
Music, Wine and Dance

Party For:
* Ambassador Segun Olusola at 75,
* Jazz Promoter Tunde Kuboye at 60,
* Filmmaker Tunde Kelani at 60,
* Painter Kolade Oshinowo at 60 and the actor * Zack Orji at 50.
(More names of “birthday people”, who have made significant contribution to the growth of culture production in the country, will be added)


(4.)SYMPOSIUM
3PM ON SATURDAY, NOVEMBER 8, 2008
• Theme: Dijns,Ghosts, Ghomids and Magical Spells: The reappearance of the Moonlight Tale in the New African Novel

Zakes Mda's Heart of Redness , Andre Brink's Imaginings Of Sand , Ahmadou Koroma's Allah Is Not Obliged
2PM ON SUNDAY, NOVEMBER 11, 2007

ART STAMPEDE

When Is The Profitable Reading Market?

Andy Akhigbe, Toyin Tejuosho, Otunba Lawal Solarin, Muhtar Bakare, Bibi Bakare Yusuf

Moderator: Tolu Ogunlesi

Presentation of Awards for participation

* This will be the result of the Green Book Contest published to mark National Creativity Day. It will be a contest whereby notable environmental authors will participate by 'writing' the 'first paragraph' of a poem, story or play to be completed by school kids. 21 winners of the contest will have their works published and launched during LABAF 2008.

Paintings will also be sent in and the winning illustration will be placed on the front cover of the book.



A REVIEW OF THE EIGHT EDITION BY RITA DAHL FROM FINLAND

http://arjentola.blogspot.com/2006_09_01_archive.html

THE 8th Lagos Book and Art Festival began on a wet note last Friday at the National Museum, Onikan, Lagos, as the heavens disgorged litres of water.


Had guests and exhibitors at the event organized by the Committee for Relevant Arts (CORA), chosen to sing the nursery rhyme “Rain, rain, go away...”, they would have been forgiven because the heavy rain almost became a kill-joy by holding up proceedings.


And although it succeeded in delaying the opening of the festival by over two hours, it took nothing away from the event as participants had their fill of books, art, comics, lectures, workshops, dance and drama which were in abundance for the three days the festival lasted.


Seyi Solagbade and the Black Face Band who returned from a music festival in Italy recently and Adunni and the folk music group Nefertiti, treated guests to sessions of music which would have been more than it was on the first day had the rains not delayed events.


Nonetheless, the opening ceremony finally kicked-off in a relaxed atmosphere with Chris Ihidero, a member of CORA doing the initial introduction before Jahman Anikulapo took over the formal introductions. Jahman began on a light mood by saying that the rains fell because majority of those at the event left their homes that morning without praying. He then highlighted the objective of the festival and explained why it is more than a book festival.


Jahman said art was added to the book aspect of the festival to showcase the creativity of Nigerians whom he stressed are very creative before explaining the choice of the keynote speaker, Chief Rasheed Gbadamosi. Gbadamosi, he explained, was invited to the forum as a playwright and for his contributions to Nigerian literature and not because of his affiliation to the Petroleum Pricing Regulatory Agency (PPRA), Ragolis Water or any other body.


Before he called Gbadamosi who is a leading patron of the arts to the rostrum, Jahman told him to prepare to launch Sola Olorunyomi’s Afrobeat: Fela and the Imagined Continent, which he was given the honour to launch because of his closeness to the late Afrobeat maestro.


In conformity with the prevalent bonhomie spirit, Gbadamosi who was dressed in a blue suit removed his suit and tie before he mounted the rostrum. Though he was scheduled to speak on The Book and The National Consensus, the keynote speaker who came without a prepared speech, spoke on writers and writings in the country.


He said he was aware Olorunyomi was working on the book but was surprised that it was ready. On new writers, Gbadamosi disclosed he met some at an event recently and was thrilled by the freshness of their ideas, styles and command of English language even though he is disturbed by the magic and fantasy some include in their works.


Gbadamosi, who mentioned Peju Alatishe, Chimamanda Ngozi Adichie and Promise Ogochukwu Okekwe among other female writers as those that thrill him however said he would love more plays to be written. He noted that new playwrights are not getting published and advocated a union between playwrights and stakeholders in Nollywood.


The economist and playwright equally tasked playwrights to produce enduring works and advised writers to produce text for all classes of students to encourage reading. He subsequently opened the exhibition mounted by four artists: Nkechi Nwosu Igbo; Mufu Onifade; Washington Uba and Jelili Atiku Olorunfemi inside the exhibition hall of the museum as part of events for the festival.


What women write
A session appraising the engagements of Nigerian female writers was one of the events held on the opening day of the just concluded 8th Book and Art Festival. Given the new heights female Nigerian writers have attained and the rave reviews their works are enjoying across the globe, four women, out of which three were present, enlightened the gathering on the theme of their works at a colloquium moderated by Deji Toye.


Before Peju Alatishe, Araceli Aipoh and Mobolaji Adenubi discussed their works: Oritameta: Crossroads; No sense of Limits and Splendid respectively, and also Helen Oyeyemi’s Icarus Girl, some women writers read excerpts from their works.


Ibiba Don Pedro, two-time winner of the CNN African Journalist of the Year Award read excerpts from her work Oil in the Water ; Kaine Agary took excerpts from Yellow-Yellow, her forthcoming novel; Veronica Uzoigwe read a poem entitled Dance Again; Virginia Ogah read The Journey So Far and Ndidi Enemoh took excerpts from her work Flight for Murder, which original title is in Igbo language.


In the presence of bookworms and art patrons like Odia Ofeimun, Professor Akachi Ezeigbo, Gbenro Adegbola, Professor Adebayo Lamikanra, Mr. Modupe Oduyoye, Mr. Gboyega Banjo, Chief Frank Okonta, Dr. Sola Olorunyomi, Rita Dahl, a journalist and poet from Finland who read a poem in Finnish language before Jumoke Verrismo read the English version entitled It’s Amazing and Gerd Meuer, former correspondent of the German Public Radio (ARD) who later facilitated a workshop on Reporting the Arts, the women dialogued and gave insights into their works.


Peju Alatishe, painter and author of Oritameta: Cross Roads revealed that she had always been passionate about females and always advocated on issues concerning them even though she is not a ‘feminist’. She said her writing evolved from her paintings and the accompanying poetry to explain them in response to the moderator’s observation that her work resembles advocacy for women.


On why women make the lead characters in their works, Alatishe explained that it is because no one can express a woman’s feelings and concerns more than a woman. She said women have not been done enough justice in the literature by men and that men need to explore their feminism more.


Mobolaji Adenubi, on her part, said women writers make women their heroines because they have been portrayed negatively by men. The former president of Women Writers’ Association of Nigeria (WRITA) said women have become what they’ve been told they are by men over time and that women in Africa before colonization are different from women after colonization due to changes wrought by colonization. Colonization, Adenubi affirmed, taught women to be submissive and take on feminine roles which, hitherto, were not part of their roles.


She said further that current women’s writing is still trying to find the place of women in the society and that the negative potrayal of women in men’s writing made WRITA organize a seminar with the theme ‘Writing Women Right’ some years ago.


Former ANA president, Odia Ofeimun, who was ‘stampeded’ to comment by the moderator identified with the women by declaring himself a feminist because WRITA was formed during his tenure as ANA president. Although he said Nigerian literature has been taken over by women, he stated that it does not follow that when they tell their stories, they tell it better.


On what she writes, Araceli Aipoh said she writes about “things she loves and hate; what is real and fantasy; what she has and will like to have; about everything”.


Reporting the arts
The workshop on reporting the arts facilitated by Gerd Meuer was the final event held on the first day of the festival before the floor was surrendered to Seyi Solagbade and his Black Face Band. Before the German who had sessions with arts reporters earlier in the week took the floor however, Arne Schneider, Director of the Goethe Institut, Lagos, made a brief remark. Schneider disclosed that his first contact with the vibrant arts scene in Lagos was last year’s book and art festival and told the audience about the German films The Edukators and Go for Zucker showed last Friday and Saturday evening at the Gosthe Institut.


Other events held at the three-day festival which ended on Sunday include a lecture entitled Book in My Life, by Professor Pat Utomi of the Lagos Business School; a celebration of the landmark birthdays of members of the arts and culture family; a seminar with the theme Is African Literature More at Home Abroad than in Africa?
On Sunday, the festival bouquet with the theme 45 years of CORA: An appraisal where

Odia Ofeimun and Bisi Sylva spoke and the usual stampede with theme 20 years After The First Nobel Prize.

Sunday, June 22, 2008

A Stampede For Uncle Steve On June 29


THE Committee for Relevant Art will hold a special art stampede for Steve Rhodes on Sunday June 29 at the National Theatre. It is not yet clear if the Steve Rhodes Orchestra will perform, but the plan is to have a range of personalities who have passed through the grandmaster, including alumni of the Steve Rhodes Voices and artists who have worked directly with him, to talk about how he rubbed off on them. The stampede is scheduled to start at 1pm, run for five hours, with musical interludes and a screening of Femi Odugbemi's documentary. The audience will retire to O'Jez Restaurant at the National Stadium for a huge highlife party for the departed patriarch. "CORA doesn't do art stampedes for individuals anymore, but this is special," says Jahman Anikulapo, the Foundation's programme chairman. "The most we do for individuals is an Arthouse Forum, which is more specific than art stampedes. But for us, Uncle Steve is Huge, very large." Anikulapo said, "some of the alumni of the SR Voices will come on stage and do some of the stuff that are in the Voices' repertory." He says that CORA expects the Orchestra to do his more recent work, "but we haven't concluded." CORA hopes that, with such personal testimonies, music and film pieces, and "we would be able to tell the artistic story of the man's life." Anikulapo said that a majority of the Art community who could not be part of the funeral would have been effectively engaged. CORA has decided that each of its remaining programmes for the year, including the Book Editing Workshops and the Book and Art Festival.

*Culled from ARTSVILLE, The Guardian June 22

Saturday, June 21, 2008

75th ART STAMPEDE HONOURS STEVE RHODES



DATE:
SUNDAY JUNE 29;

TIME
2pm;

VENUE:
Banquet hall, national Theatre, Iganmu, Lagos


The legendary Art Impresario, STEVE BANKOLE OMODELE RHODES died May 29 at age 82. He has since been buried.
The name Steve Rhodes represents for Nigeria an institution of inestimable value, having bestrode the entire landscape of the Art and Culture life of the country. He was a Broadcaster, Composer/Arranger of Music, Art Manager whose industrousness and Journalistic practice helped in shaping the career of such great Nigerian artistes as Fela Anikulapo-Kuti, Rex Lawson, Bobby Benson, Fatai Rolling Dollar, as well as scores of other younger artistes. (See www.steverhodesnigeria.com)

At his death, he had requested for a quiet funeral, which was respected by his family and associates. This means that the ARTISTES COMMUNITY to which he was colossus as well as an inspiration did not have opportunity to pay their last respect to him.




The COMMITTE FOR RELEVANT ART (CORA) has decided to dedicate its 78th Quarterly ART STAMPEDE (started since 1991). The objective is to avail the ARTISTES AND CULTURE COMMUNITY as well as other Nigerians (who
may wish so to do), the opportunity to pay their respect to his blessed soul.

Also, the CORA wishes to use the STAMPEDE platform to set up a process of INSTITUTIONALISING the name STEVE
RHODES, particularly towards helping to put his many unfinished projects on sound footing.

The event will feature
1. Reflections on his life and works by such eminent culture producers and patrons of culture as Mrs.Francesca Emanuel. Amb Segun Olusola; Profs. Duro Oni, Ahmed Yerima; Benson Idonije; Dr Peter Badejo (the Nigerian biggest Dance export) and a horde of many younger artistes musical performances; dance skits;
2. Musical performances
3. Dance performances
4. Screening of Steve Rhodes Documentary produced by
Femi Odugbemi; among others.









The details are:

DATE: JUNE 29
TIME: 2pm
VENUE: Banquet Hall
National Theatre, Iganmu, Lagos


Steve Rhodes (1926 -2008)

Musicologist, master of interpretative music, icon of multi-dimensional talent and leading arts and culture advocate, Mr Steven Bankole Omodele Rhodes died at age 82 on Thursday, May 29, in London. He had been ill for some time.

More widely and better known as the founder and director of the Steve Rhodes Voices, 'Uncle Steve', as some fondly called him, was a man of many parts whose talents earned him recognition as radio broadcaster, as producer of music and television programmes, and as arranger, and director of music. He was the first Nigerian Head of Programmes for Africa's first television station - the WNTV at Ibadan, and the first director of the first big band in Nigeria, the 15-piece NBC Dance Orchestra that cut across nationalities.

It is a credit to Mr. Rhodes that the Steve Rhodes Voices (SRV) quickly became, even in its early years, an award-winning vocal ensemble that took the first prize at the Llangollen International Musical Festival at Eisteddfod in Wales, a place described by Professor Wole Soyinka as "the source of the vocal art itself".



The group has continued on a path of tremendous success, performing to high-brow and appreciative audiences, and to rave media reviews. It could not be different though. Mrs. Francesca Emanuel says 'the discipline at SRV was unparalleled' adding 'I have not seen such discipline anywhere'. Uncle Steve was well-known for demanding high standards but even more especially, from himself; excellence was his watch-word. He had zero tolerance for mediocrity.

Said he on the content of our television programmes: "I grieve for the fact that after forty years, we should have been a long way down the road, but unfortunately we are still showing high percentage of garbage from abroad". A sticker for details and perfection, he maintained that Nigeria is yet to have a music industry in the proper sense of it because "an industry consists of various specialists that include singers, song writers, arrangers, managers, costumiers, and stage designers". He described as "crazy," a situation, such as common in these parts, whereby a singer will be his own song-writer, arranger, producer, and every other thing else .


• Whe he was 80

Steve Rhodes, educated and polished, lived a full and active life, he was respected and honoured in cultured societies and in high places. He did well for himself; he also did much for others, especially younger artistes who looked up to him for guidance and inspiration. For his country, he accepted to collaborate with Professor Wole Soyinka in his capacity as Artistic Consultant for the opening and closing ceremonies of the 2003 All Africa Games. It turned out a difficult and thankless job, but this elder, so worthy to be so called, was not one to complain in public.



He also served as the first president and later, member of the Board of Trustees of the Independent Television Producers' Association of Nigeria (ITPAN). He has left behind an example that is truly worthy of emulation by present and future generations of artists. He was devoted to his art, remaining active until his last moments. He will be missed by the arts community and by all patrons of good art.

— Adapted from The Guardian Editorial of June 20, 2008